EAR TO THE EARTH
In (Re)View
ongoing | Greater Cleveland (USA)
An invitation to submit sound, image and text-based reflections on shared ground A Hopewell Culture is a community-focused call for creative submissions responding to the themes of deep time, disappearance, collective memory and place-based possibility. Inspired by the layered history of the Greater Cleveland area, from the ceremonial landscapes of the Hopewell and Erie to present-day sites of cultural resilience, this project invites you to listen, observe and respond to your environment in image, sound or writing. The archive that emerges will contribute to the wider Ear to the Ground participatory research initiative exploring what is, what was, and what can be: a space of ongoing attention that supports a deepening listening and constellations of action for change over time. Your contribution will become part of an evolving, public digital archive and may inform: Experimental exhibitions in homes, galleries and public space Community workshops and storytelling events Conversations and events hosted by local creative and cultural organisations The formation of new collective practices and intergenerational exchange This is not about polished work or fixed genres. We’re interested in the rough, the unfinished, the tender, the ordinary and the radically imaginative. Find out more & submit: Visit the Hopewell page to discover creative prompts and to upload your contributions.
ongoing | Rustbelt (USA)
Rustlight Radiance is a permanent, evolving repository of field recordings and visual documentation from Greater Cleveland. It preserves the textures of decline and the frequencies of resistance, offering a digital space where memory, entropy and transformation coexist.
Summer '25 - various dates | Greater Cleveland
Be part of 'A Paradise of Displacement' at Ingenuity Fest 2025 — a civic installation built from memory, invention and the everyday. Created by and for the public, it invites all to contribute to the experience of a shared, living archive.
Autumn '25 | Greater Cleveland
Explore and engage with civic expressions of collective imagination at Ingenuity Fest 2025.
Winter '26 | Greater Cleveland
Following the sensory momentum of the fall, the new year marks a turn inward—toward grounding, reflection and the deliberate cultivation of sustainable practices. In the months between IngenuityFest and January, remote digital provocations—short prompts, guided reflections, community check-ins and open-source creative tasks—will continue to ripple out. By January, we return to the ground. Literally and figuratively. Workshops and gatherings during Continuum will prioritise regenerative-making practices—those that sustain both materials and relationships. This might mean working with salvaged, biodegradable, or naturally processed materials, or it might involve tending to social ecosystems through co-mentorship, intergenerational collaboration, or food-sharing. Rather than aiming for fast output, this phase will support slow-build projects. The energy of Contiuum is quieter but deeper. It’s about stewardship rather than spectacle. Sustainable partnership over performative participation. Underlying all of this is a desire to cultivate long-term cultural infrastructure that is reciprocal, responsive and resilient. By leaning into this winter moment—when much lies dormant but potential runs strong—Continuum prepares the ground for emergent futures.
Spring '26 | Greater Cleveland
Possibility is cumulative. As the Clv project enters a full annual cycle, this iteration is a return with new eyes and new positions. We'll continue to tend what's emerged and explore new groundswells. Inspired by the Situationists and Guy Debord’s theory of dérive, Drift Continuum embraces aimless movement and emergent discovery as methods of collective exploration. Here, drifting is not escape but engaged sensing, a participatory navigation of urban life where meaning arises through the intersections of place, memory, and encounter. Where might we drift to next?
Global Geographies of Attention
Detroit, USA
Detroit is a vital lens through which to observe and engage with the layered textures of post-industrial life in the Rust Belt. While the term 'Rust Belt' suggests a shared condition - of deindustrialisation, decline, and reinvention - it also risks flattening the unique histories and futures of cities like Detroit, Cleveland, or Buffalo into a single, rusted-over narrative. Detroit resists this generalisation through its own enduring cultures of resilience, mutual aid, and aesthetic innovation, from grassroots urban farming to experimental music scenes. As a site of situated observation, it reveals how decline can also be a terrain for emergent possibility where alternative economies, relational geographies, and creative survival take root. Listening here, we learn to attend not just to what is lost, but to what is being composed, quietly and collectively.

Salford, UK
Salford, like East Cleveland, occupies a complex relationship with its larger neighbour, Manchester, often eclipsed in profile, yet integral to the region’s identity. Once labelled a “dirty old town” by Ewan MacColl, Salford has since become the North West’s greenest council and a growing hub for cultural regeneration. Its evolution reflects broader post-industrial shifts: from industrial scars to revitalised potential. Salford Quays, once a derelict docklands, now home to Media City, stands as a modern, mixed-use district combining housing, commerce, and arts. While Manchester is seen as the UK’s cultural capital beyond London, Salford’s continued investment in arts and cultural opportunities is central to its place-making strategy and commitment to quality of life. Observing from Salford offers insight into how industrial legacies and creative futures collide, tracing global patterns while remaining distinctively local, shaped by proximity, inequality, and imaginative resistance to erasure, homogenisation, and the commodification of place.

Berlin, DE
Berlin resonates with post-industrial character in many ways through its entanglement of decay, reinvention, and cultural resistance. However, its path is shaped by distinct historical fractures: war destruction, Cold War division, and abrupt reunification which created large zones of vacancy, particularly in the former East. These urban voids became fertile ground for informal cultural uses: squats, artist-run spaces, and autonomous social projects flourished in the cracks of state neglect. Unlike more gradual post-industrial transitions, Berlin’s regeneration has been dramatic and state-involved, leading to both celebrated cultural innovation and aggressive gentrification. The city thus exemplifies how rapid transformation can amplify tensions between creative freedom, affordability, and the commodification of urban identity. Berlin's story highlights that regeneration is never neutral, it carries the weight of history, policy, and uneven power. Berlin fits into the network of cities reimagining themselves in the wake of economic, spatial, or political collapse. The city purposefully stands slightly apart in cause and tempo here. Consider it as a counterpoint that sharpens the research framework.

Bolton, UK
Bolton, one of several satellite towns to Manchester, is remarkably different to its regional cultural capital. Once emblematic of the North’s textile might, Bolton now carries the layered story of post-industrial Britain: mills both reimagined and derelict, high streets challenged and communities negotiating heritage and change. While not always foregrounded in regional narratives, Bolton remains a crucial part of Greater Manchester’s identity, balancing tradition with reinvention. Its landscapes, marked by Victorian grandeur, terraced resilience and green moorland edges, speak to both industrial legacy and potential renewal. Investments in education, health and town centre regeneration reflect a broader ambition: to be more than a commuter shadow, but a thriving town in its own right, shaped by its own histories and futures. From this vantage, Bolton reveals how place-making in the post-industrial North is both a cultural and political act, negotiating memory, inequality and the risk of becoming peripheral. Its story, like others across the UK, resists simplification: local yet global, familiar yet shifting, defined as much by its proximity to power as by its determination to assert its own.

Ear to the Ground's growing frame of reference focuses on connecting urban zones shaped by post-industrial dynamics. Wide-scale vacancy, experimental cultural infrastructures, DIY-to-institutional trajectories, socio-spatial inequality, and movements for alternative governance and community agency mark these localities. This evolving network reflects a commitment to observation, solidarity, and creative resistance across diverse global contexts.





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